By Mark Galer
Using a distinct blend of step-by-step initiatives, motion picture tutorials and pattern pictures, Mark Galer publications the reader during the strongest picture enhancing instruments that components has to offer. Discussing and demonstrating the abilities and know-how to create professional-quality effects with this budget-priced software program. even if optimizing images for printing, bettering pictures for max effect, or developing awesome, seamless montages, this e-book will allow any aspiring electronic specialist to get the utmost functionality from the credits crunch authorized software.
The package deal is complted with an astonishingly accomplished DVD full of over 7 hours of motion picture tutorials, a hundred+ pattern photos, a inventory photograph gallery in addition to automatic activities to get much more out of the software.
Read or Download Adobe Photoshop Elements 8: Maximum Performance. Unleash the hidden performance of Elements PDF
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Extra resources for Adobe Photoshop Elements 8: Maximum Performance. Unleash the hidden performance of Elements
Select the White Balance tool at the top of the ACR dialog and then click on the kitchen roll paper hanging on the wall to the right of the image. Note > If you have not changed your Color Settings in the main Edit space of Photoshop Elements (Edit > Color Settings) to Always Optimize for Print then you will not be able to pull the colors back into the smaller sRGB color space. The Recovery slider in this instance is useful for pulling the out-of-gamut colors at the 255 end of the histogram back into gamut, while moving the Blacks slider to 0 will take care of the out-ofgamut colors at the level 0 end of the histogram.
The Luminance Smoothing and Color Noise Reduction sliders are designed to tackle the camera noise that occurs when the image sensors’ ISO is raised. In the image above, the camera’s ISO was set to 6400 (a Nikon D700 DSLR). Both luminance and color noise are evident when the image is viewed at 100% and the Color Noise slider is set to 0. When cameras are set to 100 or 200 ISO it may be possible to leave the Luminance slider at 0 as noise will be low or non-existent. Most files (even the ones captured at low ISO settings) benefit from a small amount of color noise reduction.
The first option we looked at, where we lowered the exposure and increased the brightness, usually gives superior results to the single Recovery slider option. As we can observe in the examples above, the first option gives slightly better midtone contrast with slightly improved highlight detail. This workflow, however, is usually only superior when working with images that have the detail from the dynamic range headroom that Raw files possess. The Recovery slider really comes into its own when one or more channels are truly clipped, as would be the case with overexposed JPEGs.